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ARTICLES:
+ NONE OF YOUR FUCKING BUSINESS NEW
+ IF YOU HEAR US COMING
+ I WANNA DANCE WITH SOMEBODY
+ SMASH IT FUCKING DEAD
+ A LETTER TO MARTIN LUTHER KING
+ REVOLUTIONS AND REVELATIONS: OAKLAND
+ VAGABONDING: INDIA
+ A HISTORY OF FADO
+ WE HAD NO DREAM
+ IN PRAISE OF SHADOWS
+ PARTIES WEREN'T MEANT 2 LAST
+ MORALLY REPREHENSIBLE
+ SHIT IS BANANAS
+ MODERATION OF EXTREMISTS
+ TERRORISM FOR BEGINNERS
+ ANGELINA, BRAD AND JEN ON REVOLUTION
+ THE RIGHT TO ABOLISH
+ STAND UP AND BE COUNTED
+ JINGOES RUSH IN
+ IN EVERY CITY & EVERY COUNTRY

The writer naturally must make money in order to live and write, but he should not under any circumstances live and write in order to make money. The writer by no means looks at his work as a means. It is an end in itself and so little a means in the eyes of himself and of others that if necessary he sacrifices his existence to the existence of his work.
--Karl Marx


It is more than ever fitting to use this statement against those who would regiment creative activity in the direction of ends foreign to itself and prescribe, in the guise of so-called reason, the themes of art. The free choice of these themes and the absence of all restrictions on the range of exploitations -- these are possessions which the artist has a right to claim as inalienable. In the realm of artistic creation, the imagination must escape from all constraint and must under no pretext allow itself to be placed under bonds. To those who urge us, whether for today or for tomorrow, to consent that art should submit to a discipline which we hold to be radically incompatible with its nature, we give a flat refusal and we repeat our deliberate intention of standing by the formula complete freedom for art.




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